The ‘Platoon’ and ‘Two and a Half Men’ star traces his life and career in a Netflix documentary, derailed by his endless partying and drug abuse
Millie Bobby Brown has had time to grow out of her teens, move to another country, get married and adopt a child, while in ‘Stranger Things’ she’s still 13
Marc Randolph offers his 10 keys to helping young entrepreneurs achieve their dreams while keeping their feet planted firmly on the ground
After his big break in ‘Queen Charlotte’ and triumph of ‘My Oxford Year,’ the Brit says he wants to stop playing ‘soft boys’
Guillermo Francella plays 16 stereotypes of the average Argentinian in the latest film by the duo Cohn and Duprat
In November a remake of the 1980s classic starring Arnold Schwarzenegger will be released, aiming to appeal to audiences who enjoyed ‘The Hunger Games’ and ‘Squid Game.’ But why are violent dystopias so popular?
Javier Zapata stars in the upcoming Netflix documentary ‘Millionaire,’ which tells the real-life tragicomic story of Kino No. 2049
The Netflix show doesn’t want to give viewers respite and packs the plot of an Addams Family for Gen Z
The platform broadcasts the favorites to win the Emmy for best drama (‘Severance’) and comedy (‘The Studio’), but is losing over $1 billion a year
Martín Oesterheld is the grandson of the man who wrote the comic of the same name. He has led the Netflix series adaptation of the legendary graphic novel. The original creator of the series was disappeared during the Argentine military dictatorship, along with his four daughters and three sons-in-law
Interesting facts about entertainment, housing, robots, inequality, and an extinct flu
Actor says the last season of Netflix’s most successful production ‘stays very true to its message’
Spending too much time at home can increase the risk of isolation
EL PAÍS takes a look at this crime, one of the most common in the country and one that gets rarely reported
She rose to fame thanks to Disney Channel, but never wanted to be a typical child star. Protective of her private life, she strings together film projects without forgetting her passion for music and her work as a UNICEF ambassador
Blackpink, criticized for seeking Western validation in their albums, and the legal battle between NewJeans and their record label have sparked a passionate debate in the lucrative South Korean pop scene
The Netflix series, which premieres on July 9, is inspired by the work of the Tijuana International Liaison Unit, which pursues fugitives from the US who escape to Mexico in search of impunity
The Department of Homeland Security denies that it will produce a television show dubbed the ‘Migrant Hunger Games’
Discussing sexist stereotypes in advertising, films, and childhood stories — along with the example set by adults — are key tools in countering the influence of misogynistic content online
Contrary to the recommendations of the prosecution, Lyle and Erik Menendez are eligible for a new sentence with the possibility of parole
The heads of Veeva Systems, Axon Enterprise, Shopify, Coherent, Starbucks, GE, Blackstone, Microsoft, and Apple are among the highest-paid business leaders of publicly traded companies
Jorge Mario Bergoglio has been interviewed by filmmakers such as Wim Wenders and Gianfranco Rosi, and has been played by Jonathan Pryce, Darío Grandinetti and Rodrigo de la Serna
EL PAÍS accompanied the Argentinian musician on a visit to the Library of Congress during a promotional tour for his new conceptual album, ‘Novela’
The ‘Stranger Things’ actress, who stars in the new film ‘The Electric State,’ lives far away from Hollywood with horses, cows, sheep and a blind donkey
The British actor, known for portraying thugs, gangsters, and hot-tempered boxers, is now finding success on Netflix as the father in ‘Adolescence.’ In addition to his acting career, he co-founded a production company with his wife, Hannah Walters, to provide a platform for underrepresented stories
Closed online communities and platforms offer us an accessible, aspirational, and increasingly cloned universe. And, following the dictates of ‘likes,’ algorithms erase differences and identities and transform us into passive users. Are we losing our personality?